But we didn't watch a movie this time. Yep, this is finally our Costume-Con 26 episode (sorry it took me a while to recover & edit this ;-). If you're familiar with the NPR show "Wait, Wait, Don't Tell Me," you'll recognize the format.
We quizzed the live audience about costume movies & TV shows & related history. Listen for everything from Star Trek to Marie-Antoinette to Showtime's 'The Tudors' references!
Thanks to good sports
sweetladykt,
myladyswardrobe,
bauhausfrau,
lindseyerin37, & others for playing our trivia games!!!
Let us know what you think -- maybe we'll do another one at a future event. But next up, a proper movie, promise :-)
Download it here or subscribe in iTunes.
We quizzed the live audience about costume movies & TV shows & related history. Listen for everything from Star Trek to Marie-Antoinette to Showtime's 'The Tudors' references!
Thanks to good sports
Let us know what you think -- maybe we'll do another one at a future event. But next up, a proper movie, promise :-)
Download it here or subscribe in iTunes.
- Mood:
amused
Join us to help us record a special Costume Con edition of the Frock Flicks podcast, with audience interaction! Friday, 12:30-2pm in the Gateway Foyer.
As we hinted at in our last episode, yes indeed, we're recording at Costume-Con 26 in San Jose, California!
We are hard at work on a Frock Flicks edition suitable for a live, studio audience -- which means you!
Instead of reviewing a movie, we'll quiz you about costume movie trivia, historical costumes, & related topics -- but in a light-hearted fashion. If you listen to NPR's Wait, Wait, Don't Tell Me news quiz, you have an idea of what we're going for. Very silly, very fun, we hope :-)
If you're going to CC26, join us! We're recording on Friday, April 25, from 12:30-2pm in the Gateway Foyer. That's on the second floor of the Doubletree Hotel, right above Convention Registration & the Coffee Garden restaurant.
Advance registration for the convention closes tomorrow, April 15. After that, higher at-the-door prices will apply. More info about the con is at http://www.cc26.info/
Hope to see you there!
We are hard at work on a Frock Flicks edition suitable for a live, studio audience -- which means you!
Instead of reviewing a movie, we'll quiz you about costume movie trivia, historical costumes, & related topics -- but in a light-hearted fashion. If you listen to NPR's Wait, Wait, Don't Tell Me news quiz, you have an idea of what we're going for. Very silly, very fun, we hope :-)
If you're going to CC26, join us! We're recording on Friday, April 25, from 12:30-2pm in the Gateway Foyer. That's on the second floor of the Doubletree Hotel, right above Convention Registration & the Coffee Garden restaurant.
Advance registration for the convention closes tomorrow, April 15. After that, higher at-the-door prices will apply. More info about the con is at http://www.cc26.info/
Hope to see you there!
- Mood:
excited
For those who want to look at images of the costumes we discuss in the latest episode of the Frock Flicks podcast, on the Other Boleyn Girl, here are links to the discussed costumes in the other we discussed them.
Major shout-out to the fabulous Costumer's Guide to Movie Costumes for being such a great resource for movie costume images! Here's the main page for Other Boleyn Girl images.
The Circle dresses - Anne's and Mary's
The headdresses - early (see the Circle dress images), court (Anne's green dress), Marian (see Mary's orange dress), Gable (see Anne's trial gown and Catherine of Aragon and her ladies)
Sari fabrics - the badly applied trim was on Anne's peacock dress
Henry's copper and blue brocade fabric
Henry's chenille robe (maybe?)
Morning after marriage - crazy printed couch robes
Billaments on court gowns - see, for example, Anne's green gown and Mary's orange/red gown
Bodice fitting - Catherine of Aragon
Chemises - see for example Mary's orange robe
Jewelry, partlets, and hair - you can see these throughout most costumes
Execution scene - sadly no stills showing the coif, but here's the dress
Favorites:
Kendra's: Anne's green gown
Sarah: Mary's orange robe
Trystan: Anne's trial dress, gowns with overpartlet like Anne's brocaded gown
Least favorites:
Kendra's: the Circle dresses - Anne's and Mary's
Sarah: Anne's Cranach (riding) dress
Trystan: Mary's black patterned gown
Men's hair: Dad's dorky hair, Henry's crop
Anne's Calla Lily dress
Major shout-out to the fabulous Costumer's Guide to Movie Costumes for being such a great resource for movie costume images! Here's the main page for Other Boleyn Girl images.
The Circle dresses - Anne's and Mary's
The headdresses - early (see the Circle dress images), court (Anne's green dress), Marian (see Mary's orange dress), Gable (see Anne's trial gown and Catherine of Aragon and her ladies)
Sari fabrics - the badly applied trim was on Anne's peacock dress
Henry's copper and blue brocade fabric
Henry's chenille robe (maybe?)
Morning after marriage - crazy printed couch robes
Billaments on court gowns - see, for example, Anne's green gown and Mary's orange/red gown
Bodice fitting - Catherine of Aragon
Chemises - see for example Mary's orange robe
Jewelry, partlets, and hair - you can see these throughout most costumes
Execution scene - sadly no stills showing the coif, but here's the dress
Favorites:
Kendra's: Anne's green gown
Sarah: Mary's orange robe
Trystan: Anne's trial dress, gowns with overpartlet like Anne's brocaded gown
Least favorites:
Kendra's: the Circle dresses - Anne's and Mary's
Sarah: Anne's Cranach (riding) dress
Trystan: Mary's black patterned gown
Men's hair: Dad's dorky hair, Henry's crop
Anne's Calla Lily dress
Sorry it's been ages since an episode, but we've made this one extra special. We went to an actual movie theater & saw a film currently in the theaters -- yep, it's The Other Boleyn Girl.
Go here:
http://www.trystancraft.com/frockfl icks/frockflicks.xml
Click the link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
This movie has caused great uproar both before it came out & since because *gasp* *horror* the story is historical fiction, not strictly history. But as we've noted in past podcasts, movies are meant to be entertainment, not history, so keep an open mind :-)
Listen & discuss!
We'll post links to the costumes we mention soon.
Go here:
http://www.trystancraft.com/frockfl
Click the link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
This movie has caused great uproar both before it came out & since because *gasp* *horror* the story is historical fiction, not strictly history. But as we've noted in past podcasts, movies are meant to be entertainment, not history, so keep an open mind :-)
Listen & discuss!
We'll post links to the costumes we mention soon.
- Mood:
satisfied
I was reading a travel magazine & came across this url for film locations of Elizabeth: The Golden Age -- http://www.visitbritain.com/thegoldenag e
The site has a nifty PDF map listing historic locations used in the movie, plus general QEI historic sites to visit around Britain.
*adds stuff to travel wishlist*
The site has a nifty PDF map listing historic locations used in the movie, plus general QEI historic sites to visit around Britain.
*adds stuff to travel wishlist*
- Mood:
chipper
Right, so Trystan reminded me that I haven't posted my favorite QEI... Glenda Jackson is probably at the top of the pile, but I'm really attached to Helen Mirren's portrayal in Elizabeth I. I gave Trystan a copy to watch, thinking she'd dig it, but she dissed it (I still love you, Trystan, and I forgive you. Tee hee!), because it does play up Elizabeth's more emo side, with her long, drawn out, probably-unconsumated-sexually-frustrati ng romance with Robert Dudley, the Earl of Leicester (played by the delicious Jeremy Irons, who was born to play that role, IMHO), and later, with Leicester's step-son Robert Devereux, 2nd Earl of Essex, a wildly age-inappropriate relationship based entirely on ambition which fails spectacularly and culminates in Essex's execution for treason. In between the two men, the movie inserts Elizabeth's farcical betrothed to the 26 year old François, Duc d'Anjou, offering probably the best screen version of the "romance" that dragged on for the better part of 1579, other than the BBC interpretation (of course. Who can compete with that?).
Why I give this mini-series such high marks? Well, for one it has Helen Mirren in it. Second, the costumes are gorgeous, and I think the designer's choices in where to cut historical accuracy and insert a little fantasy here and there were well done. Third, I happen to really be intrigued by the concept of the human Elizabeth, the one who wasn't perfect all the time, who was deeply conflicted and who, when it came to matters of the heart, lurched and limped along as she grappled with feelings, duties, and frustrations. I love her for her "heart and stomach of a king" but I also think (and maybe I'm just projecting here) that she was also a romantic, sensual woman who had Needs and just couldn't let herself give into them. I really think this series was trying to deal with the greatest conflict of interest in her life (love vs duty), and call me a sappy, weepy female if you want to, I think it did justice the history of her life, but stripped away a little of her warrior goddess armor to show that there was a "weak and feeble woman" underneath. For me, that's ok. I don't need my Elizabeth to be striding up the hill at Tilbury to kick some Spaniard arse all the time.
Oh, and I love Helen Mirren. :)
Why I give this mini-series such high marks? Well, for one it has Helen Mirren in it. Second, the costumes are gorgeous, and I think the designer's choices in where to cut historical accuracy and insert a little fantasy here and there were well done. Third, I happen to really be intrigued by the concept of the human Elizabeth, the one who wasn't perfect all the time, who was deeply conflicted and who, when it came to matters of the heart, lurched and limped along as she grappled with feelings, duties, and frustrations. I love her for her "heart and stomach of a king" but I also think (and maybe I'm just projecting here) that she was also a romantic, sensual woman who had Needs and just couldn't let herself give into them. I really think this series was trying to deal with the greatest conflict of interest in her life (love vs duty), and call me a sappy, weepy female if you want to, I think it did justice the history of her life, but stripped away a little of her warrior goddess armor to show that there was a "weak and feeble woman" underneath. For me, that's ok. I don't need my Elizabeth to be striding up the hill at Tilbury to kick some Spaniard arse all the time.
Oh, and I love Helen Mirren. :)
- Location:Anywhere but there
- Mood:
contemplative
Realized that, tho' I hinted at this in the podcast, I never came right out & said who my favourite on-screen Queen Elizabeth I is. She is, without a doubt, Glenda Jackson in Elizabeth R from the '70s BBC production that aired on Masterpiece Theater in the U.S. This was actually what sucked me into history & costume as a kid in the very first place, so I owe my whole obsession (& heck, my marriage, since my hubbi & I met working renfaire!) to this miniseries.
Admittedly, I haven't watched the series since my VHS tapes died over a decade ago, but the nuance & language & intrigue of it all, plus the dark rich costumes forever fill my head. The series was heavy into the politics of the Elizabethan era, not so much on the romance angle, which the more recent adaptions have gone for. This Elizabeth was definitely trying to show she had the heart & stomach of a king. When she wibbled, it was over matters of state, not matters of love.
The only way that series could have been improved would be if, say, you could go back in time & have young Cate Blanchett play Princess Elizabeth thru Coronation & the first few years, then young to old Glenda Jackson play the rest of Queen Elizabeth's reign. In a 20-hour marathon series that doesn't leave anything out! Whee!
Man, now I reallyreally want to get that DVD set that's been sitting on my amazon.com wishlist. DVDs or fabric or groceries? Tough choices!
Admittedly, I haven't watched the series since my VHS tapes died over a decade ago, but the nuance & language & intrigue of it all, plus the dark rich costumes forever fill my head. The series was heavy into the politics of the Elizabethan era, not so much on the romance angle, which the more recent adaptions have gone for. This Elizabeth was definitely trying to show she had the heart & stomach of a king. When she wibbled, it was over matters of state, not matters of love.
The only way that series could have been improved would be if, say, you could go back in time & have young Cate Blanchett play Princess Elizabeth thru Coronation & the first few years, then young to old Glenda Jackson play the rest of Queen Elizabeth's reign. In a 20-hour marathon series that doesn't leave anything out! Whee!
Man, now I reallyreally want to get that DVD set that's been sitting on my amazon.com wishlist. DVDs or fabric or groceries? Tough choices!
- Mood:
chipper
For those interested in Renaissance Italian costuming, check out Moda a Firenze, 1540-1580 : lo stile di Eleonora di Toledo e la sua influenza -- ISBN 8883048679. Fabulous, fabulous book (in Italian and English) that goes into incredible detail into the wardrobe of Eleanor of Toledo and a great resource for Florentine fashions.
Also, two of my favorite image databases are:
BildIndex -- huge art database, all in German. Use Babelfish to help you translate. To search for portraits from a particular era: click on Expertensuche (top nav bar), type in your start and end dates in the top right boxes (von=from, bis=to) and then type "portraet" in the top left Gesamtindex box.
Joconde -- Art from French museums. Use Babelfish to help you translate. To search for portraits from a particular era: click on Recherche avancée, then input the following: In Sujet représenté, type in "Portrait"; in Périod/Datation, input a century as ##E SIECLE (17E SIECLE=17th century); check off Avec Image.
And my favorite Elizabeth IS Cate Blanchett! Altho I am a heathen and have never seen Elizabeth R.
Also, two of my favorite image databases are:
BildIndex -- huge art database, all in German. Use Babelfish to help you translate. To search for portraits from a particular era: click on Expertensuche (top nav bar), type in your start and end dates in the top right boxes (von=from, bis=to) and then type "portraet" in the top left Gesamtindex box.
Joconde -- Art from French museums. Use Babelfish to help you translate. To search for portraits from a particular era: click on Recherche avancée, then input the following: In Sujet représenté, type in "Portrait"; in Périod/Datation, input a century as ##E SIECLE (17E SIECLE=17th century); check off Avec Image.
And my favorite Elizabeth IS Cate Blanchett! Altho I am a heathen and have never seen Elizabeth R.
Tudor & Elizabethan Portraits is now at
http://www.elizabethan-portraits.co m/
YAY!!!!!!!!
Thanks to Lara of the Tudorcast podcast (which I highly recommend too, btw) for pointing this out. She listened to the latest Frock Flicks podcast & heard us bemoaning the loss of that great web resource for high-rez scans of Tudor & Elizabethan portraits.
The Portraits webmaster had to get a new url bec. his old one was sniped, & he hasn't spread the word around everywhere yet. So tell everyone! Update old links! Share & enjoy!
http://www.elizabethan-portraits.co
YAY!!!!!!!!
Thanks to Lara of the Tudorcast podcast (which I highly recommend too, btw) for pointing this out. She listened to the latest Frock Flicks podcast & heard us bemoaning the loss of that great web resource for high-rez scans of Tudor & Elizabethan portraits.
The Portraits webmaster had to get a new url bec. his old one was sniped, & he hasn't spread the word around everywhere yet. So tell everyone! Update old links! Share & enjoy!
- Mood:
ecstatic
Hi everyone, it's my long overdue resources posting! I hope you all enjoyed the latest Frock Flick, by the way... And upon listening to it myself, I have concluded that pink drinkery + podcasting = interesting, yet not completely terrible results. ;)
So, on to the resources!
First up is Queen Elizabeth's Wardrobe Unlock'd by Janet Arnold, # ISBN-10: 0901286206; # ISBN-13: 978-0901286208
Nearly 400 pages of discourse on women's clothing during the reign of QEI, drawing from wardrobe accounts, public and private correspondence, political policies, and other primary resources, this book is absolutely indispensable for serious students of 16th century English clothing. It is also extremely expensive. Get it on interlibrary loan, bribe your loved ones for your anniversary/birthday/holiday/wedding, or do what
trystbat did and have your absent-minded friend forget it at your house. ;)
Next, we have Tudor Tailor by Ninya Mikhaila and Jane Malcom-Davies, # ISBN-10: 0896762556; # ISBN-13: 978-0896762558
This book is a great how-to for men and women's clothing during the 16th century. Concise, affordable, and well-illustrated (by Ninya's extremely talented husband, Michael Perry) Tudor Tailor offers scalable patterns for everything a Tudor reenactor or enthusiast could ever need, from breeches, to smocks, to stays, to gowns, and everything in between. Trystan and I have both used the book to scale up patterns for a farthingale, with excellent results. I cannot recommend it highly enough if you're new to 16th century clothing, or if you're an old pro looking for solidly researched pattern diagrams.
So, on to the resources!
First up is Queen Elizabeth's Wardrobe Unlock'd by Janet Arnold, # ISBN-10: 0901286206; # ISBN-13: 978-0901286208
Nearly 400 pages of discourse on women's clothing during the reign of QEI, drawing from wardrobe accounts, public and private correspondence, political policies, and other primary resources, this book is absolutely indispensable for serious students of 16th century English clothing. It is also extremely expensive. Get it on interlibrary loan, bribe your loved ones for your anniversary/birthday/holiday/wedding, or do what
Next, we have Tudor Tailor by Ninya Mikhaila and Jane Malcom-Davies, # ISBN-10: 0896762556; # ISBN-13: 978-0896762558
This book is a great how-to for men and women's clothing during the 16th century. Concise, affordable, and well-illustrated (by Ninya's extremely talented husband, Michael Perry) Tudor Tailor offers scalable patterns for everything a Tudor reenactor or enthusiast could ever need, from breeches, to smocks, to stays, to gowns, and everything in between. Trystan and I have both used the book to scale up patterns for a farthingale, with excellent results. I cannot recommend it highly enough if you're new to 16th century clothing, or if you're an old pro looking for solidly researched pattern diagrams.
- Mood:
happy
Thot I'd finally post the books I recommended in the "Elizabeth" podcast, & I'm sure
sarahbellem &
demode_kvc will soon too.
First is a good, approachable biography of QEI: The Life of Elizabeth I by Alison Weir. This book gives a comprehensive look at Elizabeth's reign & is supported by tons of period quotes & references. I esp. found the details of what is actually known about Elizabeth & Dudley's relationship to be very enlightening. We'll still never know if they did the deed, but you can find out how close they had their bedrooms ;-). The only drawback to this book is that it starts with Elizabeth's ascension to the throne, so you won't learn much about her childhood & youth or the formative experiences during her elder sister Mary's reign.
For an interesting look at Elizabeth's youth, I've been reading Elizabeth and Mary: Cousins, Rivals, Queens by Jane Dunn. This book is about Queen Elizabeth I & Mary Queen of Scots. The later is a subject of personal fascination, particularly bec. she gets short-shrift in comparison to QEI.
What's great about this book is that it has a lot of details about Elizabeth's youth & young womanhood, esp. her tutors & studies, down to specifics of what she read & what that meant in the era. Gives some excellent background for her later speeches as queen. And the contrast between Elizabeth & Mary's early education is pretty dramatic -- one was raised to be the equivalent of a male ruler, the other was raised to be a traditional wife & consort. Why do you think they turned out the way they did?
Now for some links! The Southern California renfaire's Queen's Court has a picture gallery chock full of English, Spanish, Italian, & other portraits of the Renaissance era in decent-quality scans. Only problem is that not all of them have names & dates attached. However, this fills the void until the beloved Tudor-Portraits.com comes back (if it ever does!).
And a bonus resource found recently on LJ -- a short article on Glamour UK about how the makeup artist did the "period" makeup for Elizabeth: the Golden Age. And the article mentions specific modern makeups used, such as Mac & Shu Uemura, to create the look. While some of those are certainly pro-level & harder to find, Sephora does carry some of Mac's pro colors & reasonable facsimiles. Since I'm a makeup whore, I think it would be fun to print out the article & take it Sephora & the Mac store (both are near me) & see what damage I could do :-)
First is a good, approachable biography of QEI: The Life of Elizabeth I by Alison Weir. This book gives a comprehensive look at Elizabeth's reign & is supported by tons of period quotes & references. I esp. found the details of what is actually known about Elizabeth & Dudley's relationship to be very enlightening. We'll still never know if they did the deed, but you can find out how close they had their bedrooms ;-). The only drawback to this book is that it starts with Elizabeth's ascension to the throne, so you won't learn much about her childhood & youth or the formative experiences during her elder sister Mary's reign.
For an interesting look at Elizabeth's youth, I've been reading Elizabeth and Mary: Cousins, Rivals, Queens by Jane Dunn. This book is about Queen Elizabeth I & Mary Queen of Scots. The later is a subject of personal fascination, particularly bec. she gets short-shrift in comparison to QEI.
What's great about this book is that it has a lot of details about Elizabeth's youth & young womanhood, esp. her tutors & studies, down to specifics of what she read & what that meant in the era. Gives some excellent background for her later speeches as queen. And the contrast between Elizabeth & Mary's early education is pretty dramatic -- one was raised to be the equivalent of a male ruler, the other was raised to be a traditional wife & consort. Why do you think they turned out the way they did?
Now for some links! The Southern California renfaire's Queen's Court has a picture gallery chock full of English, Spanish, Italian, & other portraits of the Renaissance era in decent-quality scans. Only problem is that not all of them have names & dates attached. However, this fills the void until the beloved Tudor-Portraits.com comes back (if it ever does!).
And a bonus resource found recently on LJ -- a short article on Glamour UK about how the makeup artist did the "period" makeup for Elizabeth: the Golden Age. And the article mentions specific modern makeups used, such as Mac & Shu Uemura, to create the look. While some of those are certainly pro-level & harder to find, Sephora does carry some of Mac's pro colors & reasonable facsimiles. Since I'm a makeup whore, I think it would be fun to print out the article & take it Sephora & the Mac store (both are near me) & see what damage I could do :-)
- Mood:
tired
This is specifically for Trystan, but I thought I'd toss it out here since we referenced this in the podcast:
I think this portrait was the inspiration for the blackworked sleeves gown you liked in Eliazabeth.
Oh, and here's Elizabeth's sleeves on her mother in The Tudors.
It's always interesting to see costumes crop up in different movies. ;)
I think this portrait was the inspiration for the blackworked sleeves gown you liked in Eliazabeth.
Oh, and here's Elizabeth's sleeves on her mother in The Tudors.
It's always interesting to see costumes crop up in different movies. ;)
- Mood:
ditzy - Music:Shekhar Kapur's Elizabeth - The Frock Flickers
http://www.trystancraft.com/frockfl icks/frockflicks.xml
Click this link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
Our second episode is an hour about Shekhar Kapur's Elizabeth from 1998. Golden Age is in the theaters, so we revisit part one, where Cate Blanchett debuted as a young Queen Elizabeth. The film takes a grandiose Bollywood twist on historical costume, mishmashes around with history itself, but none-the-less inspires brilliant performances from Blanchett and a later 9th Doctor Who among others. While Joseph Fiennes gets a big thumbs down from this audience, quite a few costumes get a thumbs up.
Listen to the podcast and give us your opinion!
sarahbellem,
demode_kvc, & I will post our recommended resources for further study next up. Once you see our faves, feel free to share your own picks for books, websites, and movies that relate to 16th-century fashion and history too.
And don't miss our bonus podcast audience-participation question! Who's your fave???
Apologies for lateness & minor technical difficulties with this podcast.
Click this link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
Our second episode is an hour about Shekhar Kapur's Elizabeth from 1998. Golden Age is in the theaters, so we revisit part one, where Cate Blanchett debuted as a young Queen Elizabeth. The film takes a grandiose Bollywood twist on historical costume, mishmashes around with history itself, but none-the-less inspires brilliant performances from Blanchett and a later 9th Doctor Who among others. While Joseph Fiennes gets a big thumbs down from this audience, quite a few costumes get a thumbs up.
Listen to the podcast and give us your opinion!
And don't miss our bonus podcast audience-participation question! Who's your fave???
Apologies for lateness & minor technical difficulties with this podcast.
- Mood:
calm
Because you really must start with this if you are interested in Marie-Antoinette & especially if Coppola's movie left you scratching your head a little. Pick up Antonia Fraser's biography of the queen, Marie-Antoinette: The Journey (yes, there's even a cute paperback version with Kirsten Dunst on the cover -- or check eBay for earlier editions used & even cheaper).
This is the bio that Coppola very loosely based the movie on, but Fraser's work is much, much more annotated & rich than the screenplay might indicate. It's also a quite accessible bio, even tho' it's chock-a-block with names & dates & facts. Fraser paints a portrait of Antoinette's childhood & influences, her motivations, her evolution as a person.
And if you're looking for juicy details, yep, she outlines exactly when & where Antoinette could or could not have done the deed with Count Fersen. We may never know for sure, but Fraser comes as close as possible :-)
This is the bio that Coppola very loosely based the movie on, but Fraser's work is much, much more annotated & rich than the screenplay might indicate. It's also a quite accessible bio, even tho' it's chock-a-block with names & dates & facts. Fraser paints a portrait of Antoinette's childhood & influences, her motivations, her evolution as a person.
And if you're looking for juicy details, yep, she outlines exactly when & where Antoinette could or could not have done the deed with Count Fersen. We may never know for sure, but Fraser comes as close as possible :-)
- Mood:
giggly
Hi everyone! I still haven't listened to the podcast, but I hope you all enjoyed it!
So, here's the three books I recommended for further study:
1) Fashion: A History from the 18th through 20th Century by the Kyoto Costume Institute.
And in case you somehow missed it, Kendra's excellent resource, the Real Women's Clothing directory is not to be missed! Bookmark it if you haven't all ready!
So, here's the three books I recommended for further study:
1) Fashion: A History from the 18th through 20th Century by the Kyoto Costume Institute.
- ISBN-10: 3822812064
- ISBN-13: 978-3822812068
- ISBN-10: 0810966085
- ISBN-13: 978-0810966086
- ISBN-10: 0896762262
- ISBN-13: 978-0896762268
And in case you somehow missed it, Kendra's excellent resource, the Real Women's Clothing directory is not to be missed! Bookmark it if you haven't all ready!
- Mood:
calm
For those who've listened the podcast, here's the details on the book I recommended:
Gazette des atours de Marie-Antoinette: garde-robe des atours de la reine: gazette pour l'anne 1782.
Publisher: Runion des muses nationaux: Archives nationales, 2006.
This is a stunning reproduction of Marie-Antoinette's swatch book for 1782, from which she would choose her wardrobe each day. Pricey, but gorgeous, even if you don't read French.
Check Bookfinder for retailers; remember to search for books in French!
Gazette des atours de Marie-Antoinette: garde-robe des atours de la reine: gazette pour l'anne 1782.
Publisher: Runion des muses nationaux: Archives nationales, 2006.
This is a stunning reproduction of Marie-Antoinette's swatch book for 1782, from which she would choose her wardrobe each day. Pricey, but gorgeous, even if you don't read French.
Check Bookfinder for retailers; remember to search for books in French!
http://www.trystancraft.com/frockfl icks/frockflicks.xml
Click this link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
Our first episode is an hour-long discussion of Sofia Coppola's Marie Antoinette starring Kirsten Dunst in the title role. A mix of 1980s punk-pop sensibility and 18th-century fashions, this film treads the line between directorial autobiography and historical story-telling. And even with a guest-starring appearance by some powder-blue Chuck Converse high-tops, we think the costumes are pretty darn accurate to the period.
Listen to the podcast and give us your opinion!
demode_kvc,
sarahbellem, & I will be posting our recommended resources for further study next up. Once you see our faves, feel free to share your own picks for books, websites, and movies that relate to 18th-century fashion and history too.
Click this link or, to subscribe, open up iTunes & go to the Advanced menu & select "Subscribe to Podcast." Paste or type the url into the dialog box, & then you'll get all our updates whenever you open iTunes & refresh your podstreams.
Our first episode is an hour-long discussion of Sofia Coppola's Marie Antoinette starring Kirsten Dunst in the title role. A mix of 1980s punk-pop sensibility and 18th-century fashions, this film treads the line between directorial autobiography and historical story-telling. And even with a guest-starring appearance by some powder-blue Chuck Converse high-tops, we think the costumes are pretty darn accurate to the period.
Listen to the podcast and give us your opinion!
- Mood:
satisfied
We recorded our first episode last night, & I edited the audio today. It'll be about an hour-long discussion, & it sounds pretty darn good, if I do say so myself.
Now I'm just waiting on my darling dear composer husband to deliver our theme music so I can add that & upload the final file... Watch for it any day now!
To tide you over, how about a little piece of cake?
Now I'm just waiting on my darling dear composer husband to deliver our theme music so I can add that & upload the final file... Watch for it any day now!
To tide you over, how about a little piece of cake?
- Mood:
excited
